Site under construction!
Links (Many Including Online Audio)
Kogawa, Tetsuo.
“A Radioart Manifesto,”
http://www.translocal.jp/radioart/20080710AcousticSpaceIssue_7.html
KUNSTRADIO - RADIOKUNST
Every Sunday, Ö1 at 11:03 pm - 11:59 pm (CEST) & Online
http://www.kunstradio.at/
KUNSTRADIO - RADIOKUNST
"Toward A Definition Of Radio Art" manifesto
http://www.kunstradio.at/TEXTS/manifesto.html
The Listening Room (archived site), ABC Radio's premier acoustic art program (Australia)
http://www.abc.net.au/classic/listeningroom/
radioartnet radio art archive and network
http://radioartnet.bandcamp.com/
sonosphere is an online museum of productions by Deutschlandradio Kultur
http://sonosphere.org
“A Radioart Manifesto,”
http://www.translocal.jp/radioart/20080710AcousticSpaceIssue_7.html
KUNSTRADIO - RADIOKUNST
Every Sunday, Ö1 at 11:03 pm - 11:59 pm (CEST) & Online
http://www.kunstradio.at/
KUNSTRADIO - RADIOKUNST
"Toward A Definition Of Radio Art" manifesto
http://www.kunstradio.at/TEXTS/manifesto.html
The Listening Room (archived site), ABC Radio's premier acoustic art program (Australia)
http://www.abc.net.au/classic/listeningroom/
radioartnet radio art archive and network
http://radioartnet.bandcamp.com/
sonosphere is an online museum of productions by Deutschlandradio Kultur
http://sonosphere.org
Selected Publications
ABC Classic FM. "Australian Music: Classic/Amp." Australian Broadcasting Corporation, http://www.abc.net.au/classic/australianmusic/presented/ (accessed 1 April 2009).
———. "Australian Music: Classic/Amp: In the Head the Fire (1966)." Australian Broadcasting Corporation, http://www.abc.net.au/classic/australianmusic/stories/s2937532.htm (accessed 1 April 2009).
———. "The Listening Room (Archived Website)." Australian Broadcasting Corporation, http://www.abc.net.au/classic/listeningroom/ (accessed 1 April 2009).
Apple, Jacki. “New American Radio and Radio Art,” New Radio Performing Arts, Inc., http://somewhere.org/NAR/writings/apple.htm (accessed March 20, 2013).
Arnheim, Rudolf. Radio: An Art of Sound. New York: Da Capo Press, 1972. 1936.
Aroney, Eurydice. "Radio Documentaries and Features: Invisible Achievements." Paper presented at the 2005 Melbourne Radio Conference, Melbourne, 2005.
Artaud, Antonin. "To Have Done with the Judgment of God." In Antonin Artaud, Selected Writings Berkeley, CA: University of California Press, 1976.
ARTE Radio. "Arte Radio - Accueil." ARTE Radio, http://www.arteradio.com/ (accessed July 31, 2012).
———. "English, Arte Radio." ARTE Radio, http://www.arteradio.com/static/6/int_english/ (accessed July 31, 2012).
Artssantamonica. "Ars Acustica Documental." YouTube site, http://www.youtube.com/watch?v=BR9Dj_xOOpo&list=UUXoU2tv3jEcReIHphafCrBQ&index=2&feature=plcp (accessed March 20, 2012).
Barliant, Claire. “Stationary Flow: Process and Politics in Audio Art On the Air and Online,” New Radio Performing Arts, Inc., http://somewhere.org/NAR/writings/barliant.htm (accessed March 20, 2013).
Baruss, Imants. "Failure to Replicate Electronic Voice Phenomenon." Journal of Scientific Exploration 15, no. 3 (2001): 355 – 67.
BBC Radio 3. "Between the Ears." British Broadcasting Corporation, http://www.bbc.co.uk/programmes/b006x2tq (accessed April 10, 2012).
Black, Colin. "Radio Art Sound Composition: Exploring a Dualistic Binaural Sonic Interplay." Paper presented at the 2009 Totally Huge New Music Conference, Perth, 2009.
———. "Radio Art: The Age of the ‘Bunker’ Artist, Digging in Deeper, Spreading Thinner ..." Paper presented at the Vital Signs Conference, Melbourne, 2005.
Black, Colin, Garth Paine, Daniel Blinkhorn, Sam Gillies, Automating, Radio Cegeste, Pamela Lee Brenner, Johannes Muljana, and Jordan Lacey. “Transmission, Dislocation, Space and Place,” New Works, Toronto 2011. Edited by Colin Black Seaforth, NSW: Frequency Oz, 2011. pdf download.
Braun, Peter Leonhard. "Prix Italia 1966: Londoner Abend/London Evening." In ARD Prix Italia Transcripts (Radio Documentary) Germany, 1966.
Breitsameter, Sabine. "Sonic-Media-Art.Net." Sabine Breitsameter, http://www.sonic-media-art.net/archives/2004/02/impressum.html (accessed 8 February 2012).
Bull, Michael. "Personal Stereos and the Aural Reconfiguration of Representational Space." In Technospaces : Inside the New Media, edited by Sally Munt. Critical Research in Material Culture, xii, 258 p. London ; New York: Continuum, 2001.
———. Sounding out the City : Personal Stereos and the Management of Everyday Life. Materializing Culture. Oxford ; New York: Berg, 2000.
———. "Soundscape of the Car." In The Auditory Culture Reader, edited by Michael Bull and Les Back. Sensory Formations Series, 357-74. Oxford, UK ; New York: Berg, 2003.
Castaldi, Damian. "Loop Interview with Colin Black." Loop Magazine, 5 November 2007.
———. "Loop Interview with Colin Black." Loop Magazine, 2007.
Chion, Michel. Audio-Vision : Sound on Screen. Translated and edited by Claudia Gorbman. New York: Columbia Univ. Press, 1994.
Chion Chion, Michel. Guide Des Objets Sonores : Pierre Schaeffer Et La Recherche Musicale [in French]. BibliothèQue De Recherche Musicale. Paris: Buchet/Chastel, 1983.
Chion, Michel. Guide des Objets Sonores: Pierre Schaeffer et la Recherche Musicale, Bibliotháeque De Recherche Musicale. Translated by John Dack and Christine North. Paris: Institut National de L’Audiovisuel & Éditions Buchet/Chastel, 2009.
Cohen, Andréa. "“Les Compositeurs Et L’art Radiophonique,”." Maison des Sciences de l'Homme d'Aquitaine, http://www.grer.fr/upload/articles_en_ligne/Les_compositeurs_et_l%5c-art_radiophonique.pdf (accessed 1 March 2009).
Concannon, Kevin. "Cut and Pastes: Collage and the Art of Sound." In Sound by Artists, edited by Micah Lexier and Dan Lander. 163-67. Toronto and Banff, Alta: Art Metropole and Walter Phillips Gallery, 1990.
Corporation for Public Broadcasting. "Public Broadcasting Revenue Reports." Corporation for Public Broadcasting, http://www.cpb.org/stations/reports/revenue/.
Cory, Mark E. "Soundplay : The Polyphonous Tradition of German Radio Art." In Wireless Imagination : Sound, Radio, and the Avant-Garde, edited by Douglas Kahn and Gregory Whitehead. 331-71. Cambridge, Mass: MIT Press, 1992.
Cory, Mark, and Barbara Haggh. "Hörspiel as Music – Music as Hörspiel: The Creative Dialogue between Experimental Radio Drama and Avant-Garde Music." German Studies Review VI, no. 2 (May 1981).
Crisell, Andrew. Understanding Radio. Studies in Culture & Communication. 2nd ed. London ; New York: Routledge, 1994.
Crook, Tim. Radio Drama : Theory and Practice. London ; New York: Routledge, 1999.
———. Radio Drama Theory and Practice. London ; New York: Routledge, 1999.
———. The Sound Handbook. Milton Park: Routledge, 2010.
Culture Lab. "Professor Atau Tanaka." Newcastle University, http://www.ncl.ac.uk/culturelab/people/profile/atau.tanaka (accessed March 27, 2012).
Der Deutsche Rundfunk. Der Deutsche Rundfunk, no. 20 (1931).
Deutschlandradio Kultur. "Klangkunst." Deutschlandradio, http://www.dradio.de/dkultur/sendungen/klangkunst/952231/.
Douglas, Susan J. Listening In : Radio and the American Imagination, from Amos 'N' Andy and Edward R. Murrow to Wolfman Jack and Howard Stern. 1st ed. New York: Times Books, 1999.
Dyson, Frances. "The Ears That Would Hear Sounds in Themselves: John Cage 1935 - 1965." Chap. 373-407 In Wireless Imagination : Sound, Radio, and the Avant-Garde, edited by Douglas Kahn and Gregory Whitehead. Cambridge, Mass.: MIT Press, 1992.
Ears: ElectroAcoustic Resource Site. "Genres and Categories [G&C]." Ears: ElectroAcoustic Resource Site, http://www.ears.dmu.ac.uk/spip.php?rubrique3 (accessed 15 Feburary 2012).
Ellis, John. Seeing Things : Television in the Age of Uncertainty. London: I.B. Tauris, 2000.
Ferrington, Gary. "Audio Design: Creating Multi-Sensory Images for the Mind." Journal of Visual Literacy (1993).
Fisk, Ernst. "Radio Era: Next Step – Phone N. Zealand. Fisk Tells." Evening News, May 1 1930.
———. "Talking to Dead by Radio: Mr Fisk’s Prediction." Herald (Melbourne), May 26 1930.
Flesch, Hans. Funk, no. 36 (1925).
Föllmer, Golo. "Max Neuhaus: «Drive in Music»." Media Art Net, http://www.medienkunstnetz.de/works/drive-in-music/
———. "Max Neuhaus: «Public Supply I»." Media Art Net http://www.medienkunstnetz.de/works/public-supply-i/
Fontana, Andrea, and James Frey. "The Interview: From Structured Questions to Negotiated Text." In The Handbook of Qualitative Research, edited by Norman K. Denzin and Yvonna S. Lincoln. 645-73. Thousand Oaks, Calif.: Sage Publications, 2000.
free103point9. "About." free103point9, http://free103point9.org/about (accessed March 26, 2012).
Freire, Sergio. "Early Musical Impressions from Both Sides of the Loudspeaker." Leonardo Music Journal 13 (2003).
Freyer, Ellen. "Chronicle of a Summer—Ten Years After." In The Documentary Tradition, edited by Lewis Jacobs. New York: WW Norton & Co, 1969.
Friz, Anna. “Biography,” Anna Friz, http://nicelittlestatic.com/about/ (accessed July 12, 2012)
———. “The Radio of the Future Redux: Rethinking Transmission Through Experiments in Radio Art.” PhD diss., York University, 2011.
Gilfillan, Daniel. Pieces of Sound : German Experimental Radio. Minneapolis: University of Minnesota Press, 2009.
Gross, Jason. "Herbert Eimert- Co-Founder of the Wdr Studio, Cologne, Germay Interview with Composer Konrad Boehmer by Jason Gross (April 2000)." Perfect Sound Forever, http://www.furious.com/perfect/ohm/eimert.html (accessed April 9, 2012).
Grundmann, Heidi. "The Geometry of Silence." In Radio Rethink : Art, Sound and Transmission, edited by Daina Augaitis and Dan Lander. 129-39. Banff, Alta.: Walter Phillips Gallery, 1994.
Gyger, Elliott. "Nigel Butterley and the Problem That Wasn’t." Resonate Journal, no. 2 (Feburary 28, 2008).
Hagelüken, Andreas. "Acoustic (Media) Art: Ars Acustica and the Idea of a Unique Art Form for Radio – an Examination of the Historical Conditions in Germany." World New Music Magazine, 2006.
Hans-Flesch-Gesellschaft. "Flesch." Forum für akustische Kunst, http://neu.hans-flesch-gesellschaft.de/wp-content/uploads/2012/07/Hans-Flesch-Leben.pdf
Harrison, Martin. Our ABC a Dying Culture, Platform Papers No. 1: July 2004, edited by John Golder, Strawberry Hills: Currency House, 2004.
Hodgkinson, Tim. "An Interview with Pierre Schaeffer." In The Book of Music and Nature: An Anthology of Sounds, Words, Thoughts, edited by David Rothenberg and Marta Ulvaeus. 34-44. Middletown: Wesleyan University Press, 2001.
Holmes, Thom. Electronic and Experimental Music : Pioneers in Technology and Composition. 2nd ed. London: Routledge, 2002.
Huwiler, Elke. "Storytelling by Sound: A Theoretical Frame for Radio Drama Analysis." The Radio Journal – International Studies in Broadcast and Audio Media 3, no. 1 (2005).
Jessop, John. "Radio as Music: Glenn Gould in Conversation with John Jessop (1971)." In The School of Sound. London, 1998.
Joseph-Hunter, Galen, Penny Duff, and Maria Papadomanolaki. Transmission Arts : Artists & Airwaves. 1st ed. New York: PAJ Publications, 2011.
Kahn, Douglas. "Introduction: Histories of Sound Once Removed." Chap. 1-29 In Wireless Imagination : Sound, Radio, and the Avant-Garde, edited by Douglas Kahn and Gregory Whitehead. Cambridge, Mass.: MIT Press, 1992.
———. "The Lyre's Island: Some Australian Music, Sound Art and Design." Leonardo Music Journal 6 (1996): 89-93.
Karlsson, Erik Mikael. "Ars Acustica - Listening to the Future!" Eurovision Operated by European Broadcasting Union, http://www.ebu.ch/en/radio/euroradio_classics/arsacustica/Ars-Acustica-mission.php (accessed 6 February 2012).
Kittler, Friedrich. "Die Letzte Radiosendung." In On the Air: Kunst Im Öffentlichen Datenraum. 72–80. Innsbruck: Transit, 1993.
Knilli, Friedrich. "Das Horspiel – Mitteln Und Moglichkeiten Eines Totalen Schallspiels." (1961).
Kogawa, Tetsuo. “A Radioart Manifesto,” Tetsuo Kogawa, http://www.translocal.jp/radioart/20080710AcousticSpaceIssue_7.html (accessed July 1, 2012).
Kunstradio. "Artsat." Kunstradio, http://www.kunstradio.at/TAKE/CD/artsat_cd.html (accessed August 4, 2012).
———. "Elisabeth Zimmermann." Kunstradio, http://www.kunstradio.at/BIOS/zimmermannbio.html.
———. "Kunstradio - Radiokunst, 26. July 2009." Kunstradio, http://www.kunstradio.at/2009B/26_07_09en.html (accessed June 3, 2012).
———. "Toward a Definition of Radio Art." Kunstradio, http://www.kunstradio.at/TEXTS/manifesto.html.
LaBelle, Brandon. Background Noise : Perspectives on Sound Art. New York: Continuum International, 2006.
Lammert, Ron. "Brief History." Texas Wendish Heritage Society, http://www.texaswendish.org/Pages/BriefHistory.aspx (accessed June 19, 2012).
Lander, Dan. "Radio Art: The Pubescent Stage." Musicworks, no. 53, Summer (1992): 20-26.
———. "Radiocasting: Musings on Radio and Art." In Radio Rethink : Art, Sound and Transmission, edited by Daina Augaitis and Dan Lander. 11-31. Banff, Alta.: Walter Phillips Gallery, 1994.
———. “Radio and Beans: An Installation by Patrick Ready.” In Radio Rethink : Art, Sound and Transmission, edited by Daina Augaitis and Dan Lander. 67-74. Banff, Alta.: Walter Phillips Gallery, 1994.
Landy, Leigh. Understanding the Art of Sound Organisation. Cambridge, MA: MIT Press, 2007.
Loktev, Julia. "Static Motion, or the Confessions of a Compulsive Radio Driver." Chap. 26--28 In Radio Text(E) Semiotext(E) #16, edited by Neil Strauss and Dave Mandl. New York: Semiotext(e), 1993.
López, Francisco. "Blind Listening." In The Book of Music and Nature: An Anthology of Sounds, Words, Thoughts, edited by David Rothenberg and Marta Ulvaeus. Middletown: Wesleyan University Press, 2001.
———. "Profound Listening and Environmental Sound Matter." In Audio Culture: Readings in Modern Music, edited by Christoph Cox and Daniel Warner. New York: Continuum, 2004.
Madsen, Virginia. "A Call to Listen: The ‘New’ Documentary in Radio—Encountering ‘Wild Sound’ and the ‘Filme Sonore’." Historical Journal of Film, Radio and Television 30, no. 3 (September 2010): 391–410.
———. "Cantata of Fire: Son Et Lumière in Waco, Texas, Auscultation for a Shadow Play." Organized Sound 14, no. 1 (2009): 89-99.
———. "The Moon in Front of the Window: Reflections on the Radio of Kaye Mortley." Essays in Sound 4 (1999).
———. "A Radio D'auteur: The Documentaire De Création of Kaye Mortley." SCAN 6, no. 3 (December 2009).
———. "Written in Air: Experiments in Radio." In Experimental Music: Audio Explorations in Australia, edited by Gail Priest. 154-74. Sydney: University of New South Wales Press Ltd, 2009.
Marinetti, Filippo Tommaso, and Pino Masnata. "La Radia (1933)." Kunstradio, http://www.kunstradio.at/THEORIE/theorymain.html.
Marnetti, Filippo Tommaso. "Radio Sintesi." Translated by Michael Kirby and Victoria Nes Kirby. In Radio Text(E) Semiotext(E) #16, edited by Neil Strauss and Dave Mandl. 147-51. New York: Semiotext(e), 1993.
McCartney, Andra, Gregory Whitehead, Hélène Prévost, and Alessandro Bosetti. "Soundscapes of the Imagination: The Grey Area between Fact and Fiction." In Radio without Boundaries 2009 Conference. Panel Discussion. Toronto, 2009.
McLennan, Andrew. "A Brief Topography of Australian Sound Art and Experimental Broadcasting." Continuum : The Australian Journal of Media & Culture 8, no. 1 (1994): 302-17.
McLuhan, Marshall. Understanding Media : The Extensions of Man. London: Routledge & Kegan Paul, 1964.
McLuhan, Marshall, Quentin Fiore, and Jerome Agel. The Medium Is the Massage. Harmondsworth: Penguin, 1967.
McWhinnie, Donald. The Art of Radio. London: Faber and Faber, 1959.
———. "Private Dreams and Public Nightmares." Radio times, October 4, 1957.
Media Art Net. "Wdr Studio Akustische Kunst (Wdr Studio Acoustic Art)." Media Art Net, http://www.medienkunstnetz.de/works/wdr-studio/.
Monitor. "EBU Ars Acustica 20 År! Radiokonst Av Arsenije Jovanovic, Colin Black + Dubravko Robic." Sveriges Radio, http://sverigesradio.se/sida/artikel.aspx?programid=2098&artikel=3144774 (accessed June 3, 2012).
Mortley, Kaye. "Around Naxos: A Radio 'Film' ... ." In Experimental Sound & Radio, edited by Allen S. Weiss. 151-66. Cambridge, Mass.: The MIT Press, 2001.
———. "Notes,." Ear Magazine, March 1987, 8-9.
Neuhaus, Max. "The Broadcast Works: Radio Net." Kunstradio, http://www.kunstradio.at/ZEITGLEICH/CATALOG/ENGLISH/neuhaus2b-e.html (accessed August 4, 2012).
Niebur, Louis. Special Sound : The Creation and Legacy of the Bbc Radiophonic Workshop. New York ; Oxford: Oxford University Press, 2010.
Norman, Katharine. "Real-World Music as Composed Listening." Contemporary Music Review 15, no. 1 (1996): 1-28.
Nyre, Lars. Sound Media : From Live Journalism to Music Recording. London; New York: Routledge, 2008.
Pacifica Radio Archives. "History of Pacifica." Pacifica Radio Archives, http://pacificaradioarchives.org/pacifica/timeline.html.
Pauli, Hansjorg. Für Wen Komponieren Sie Eigentlich? . Frankfurt am Main: Fischer, 1971.
Phonurgia Nova. "Interview De Kaye Mortley." Association Phonurgia Nova, http://www.phonurgia.org/kaye1.htm.
Potts, John. "Schizochronia: Time in Digital Sound." Essays in Sound 2: Technophonia (1995).
Radio1001. "Dinah Bird." Radio1001.org, http://www.radio1001.org/Members/dinah.
Radio Wonderland. "Bio." Radio Wonderland, http://radiowonderland.org/serendipity/index.php?/categories/4-Bio.
radioartnet. "About (Eng)." radioartnet, http://radioartnet.net/11/about-eng/ (accessed 6 February 2012).
Radiophonic Creation Day 2009. Edited by Julia Drouhin and Caraline Janvier. Paris: JEL Organisation, 2010.
Radius. "About." Radius, http://theradius.tumblr.com/about. (accessed April 15, 2012).
Rataj, Michal. Electroacoustic Music and Selected Concepts of Radio Art. Saarbrucken: PFAU-Verlag, 2010. pdf download.
Ravlich, Robyn. "Sound Signatures." Sounds Australian, no. 52 (1998): 24-25.
Resonance104.4fm. "About." Resonance104.4fm, http://resonancefm.com/faq.
Richards, Donald. "The Creative Ear : The ABC's the Listening Room and the Nurturing of Sound Art in Australia." PhD diss., University of Western Sydney, 2003.
Richter, Hans. "Experiments with Celluloid." Penguin Film Review (1949).
Russolo, Luigi. The Art of Noises. Translated by Barclay Brown. Monographs in Musicology. New York: Pendragon Press, 1986. 1913.
———. The Art of Noises. Translated by Barclay Brown. New York: Pendragon Press.
———. The Art of Noises. Translated by Barclay Brown. Monographs in Musicology. New York: Pendragon Press, 1986.
Scannell, Paddy. Radio, Television, and Modern Life : A Phenomenological Approach. Oxford, UK ; Cambridge, Mass., USA: Blackwell, 1996.
———. "The Stuff of Radio." In Documentary and the Mass Media, edited by John Corner. London: Edward Arnold, 1986.
Schaeffer, Pierre. "Acousmatics." Translated by Daniel W. Smith. In Audio Culture: Readings in Modern Music, edited by Christoph Cox and Daniel Warner. New York: Continuum, 2004.
———. Traité Des Objets Musicaux : Essai Interdisciplines [in French]. Pierres Vives. Paris: Éditions du Seuil, 1966.
Schafer, R. Murray. "The Music of the Envirnoment." In Audio Culture: Readings in Modern Music, edited by Christoph Cox and Daniel Warner. New York: Continuum, 2004.
———. The Soundscape : Our Sonic Environment and the Tuning of the World. Rochester, Vt. [United States]: Destiny Books, 1993.
Schwartz, Tony. The Responsive Chord. 1st ed. Doubleday: Anchor Press, 1973.
Sconce, Jeffrey. Haunted Media : Electronic Presence from Telegraphy to Television. Console-Ing Passions. Durham, NC: Duke University Press, 2000.
Slovakia Cultural Profiles. "Experimental Studio of Slovak Radio." Slovakia Cultural Profiles, http://www.slovakia.culturalprofiles.net/?id=7966
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Sonnenschein, David. Sound Design : The Expressive Power of Music, Voice, and Sound Effects in Cinema. Studio City, Calif.: Michael Wiese Productions, 2001.
SR c. "Same or Different " Sveriges Radio, http://sverigesradio.se/p1/src/sameordifferent/ (accessed 27 March 2011).
Sterne, Jonathan. The Audible Past : Cultural Origins of Sound Reproduction. Durham, N.C. ; London: Duke University Press, 2003.
Stockfeld, Ola. "Cars, Buildings and Soundscapes." In Soundscapes: Essays on Vroom and Moo, edited by Helmi Jarviluomä. 19–38. Tampere: Tampere University Press, 1994), 1994.
Street, Seán. The Poetry of Radio: The Colour of Sound. Oxon: Routledge, 2012.
Südwestrundfunk. "Swr2 Programm." Südwestrundfunk, http://www.swr.de/swr2/programm/-/id=5654774/property=download/nid=661104/gpdz0q/swr2-programm-2010kw02.pdf (accessed June 3, 2012).
Tacchi, Jo. "Nostalgia and Radio Sound." In The Auditory Culture Reader, edited by Michael Bull and Les Back. Sensory Formations Series, 281-95. Oxford, UK ; New York: Berg, 2003.
Tanaka, Atau. "Promethee Numerique - Frankensteins Netz: Hoerspiel for Radio and Internet." DMA diss., Stanford University, 2004.
———. "ProméthéE NuméRique Frankensteins Netz." Atau Tanaka, http://ataut.net/projects/promethee_numerique/Promethee Numerique Frankensteins Netz.pdf.
The [Un]Observed Radio Magazine. "Contributors." The [Un]Observed Radio Magazine, http://theunobserved.com/contributors/.
Toop, David. Ocean of Sound : Aether Talk, Ambient Sound and Imaginary Worlds. London: Serpent's Tail, 2001.
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———. “Bat Radio,” free103point9, http://transmissionarts.org/event/bwjt1z (accessed July 15, 2012).
———. "Tianna Kennedy." free103point9, http://transmissionarts.org/artist/81nn9m (accessed March 26, 2012).
Truax, Barry. Acoustic Communication. 2nd ed. Westport, Conn. ; London: Ablex, 2001.
———. "Genres and Techniques of Soundscape Composition as Developed at Simon Fraser University." Organised Sound 7, no. 1 (2002): 1-10.
———. "Soundscape Composition as Global Music: Electroacoustic Music as Soundscape." Organised Sound 13, no. 2 (2008): 103-09.
Varèse, Edgard, and Alcopley. "Edgard Varèse on Music and Art: A Conversation between Varèse and Alcopley." Leonardo 1, no. 2 (1968).
Warburton, Dan. "Luc Ferrari Interview by Dan Warburton, July 22, 1998." Paris Transatlantic Magazine, http://www.paristransatlantic.com/magazine/interviews/ferrari.html.
Washington, Sarah, and Knut Aufermann, “Mobile Radio,” Mobile Radio, http://mobile-radio.net/?page_id=127 (accessed July 1, 2012).
WBAI-FM. "About Wbai - 99.5 Fm in New York City." WBAI-FM, Pacifica Radio in New York City, http://wbai.org/about.html.
WDR 3. "Andreas Hagelüken." Westdeutscher Rundfunk, http://www.wdr3.de/team/moderatoren/andreas-hagelueken.html.
Weill, Kurt. "Radio and the Restructuring of Musical Life." In Radio Text(E) Semiotext(E) #16, edited by Neil Strauss and Dave Mandl. 26--28. New York: Semiotext(e), 1993.
Weiss, Allen S. Phantasmic Radio. Durham, N.C.: Duke University Press, 1995.
Wennersten, Marie. "To See with Each Other’s Ears – Sr C and Ambiguous Radio." In Radio Territories, edited by Erik Granly Jensen and Brandon LaBelle. Los Angeles / Copenhagen: Errant Bodies Press, 2007.
WGXC. "Home." free103point9, http://wgxc.org/ (accessed April 15, 2012).
Whitehead, Gregory. "Radio Art Le Mômo: Gas Leaks, Shock Needles and Death Rattles." Public, no. 4/5 (1991).
Wikipedia contributors. "Radia." Wikipedia, The Free Encyclopedia, http://en.wikipedia.org/w/index.php?oldid=470449660.
Wishart, Trevor. On Sonic Art. Edited by Simon Emmerson. Contemporary Music Studies ;. A new and revised eition / ed. Amsterdam: Harwood Academic Publishers, 1996.
Young, La Monte. "Raminations of Radio." In Radio Text(E) Semiotext(E) #16, edited by Neil Strauss and Dave Mandl. 181-84. New York: Semiotext(e), 1993.
———. "Australian Music: Classic/Amp: In the Head the Fire (1966)." Australian Broadcasting Corporation, http://www.abc.net.au/classic/australianmusic/stories/s2937532.htm (accessed 1 April 2009).
———. "The Listening Room (Archived Website)." Australian Broadcasting Corporation, http://www.abc.net.au/classic/listeningroom/ (accessed 1 April 2009).
Apple, Jacki. “New American Radio and Radio Art,” New Radio Performing Arts, Inc., http://somewhere.org/NAR/writings/apple.htm (accessed March 20, 2013).
Arnheim, Rudolf. Radio: An Art of Sound. New York: Da Capo Press, 1972. 1936.
Aroney, Eurydice. "Radio Documentaries and Features: Invisible Achievements." Paper presented at the 2005 Melbourne Radio Conference, Melbourne, 2005.
Artaud, Antonin. "To Have Done with the Judgment of God." In Antonin Artaud, Selected Writings Berkeley, CA: University of California Press, 1976.
ARTE Radio. "Arte Radio - Accueil." ARTE Radio, http://www.arteradio.com/ (accessed July 31, 2012).
———. "English, Arte Radio." ARTE Radio, http://www.arteradio.com/static/6/int_english/ (accessed July 31, 2012).
Artssantamonica. "Ars Acustica Documental." YouTube site, http://www.youtube.com/watch?v=BR9Dj_xOOpo&list=UUXoU2tv3jEcReIHphafCrBQ&index=2&feature=plcp (accessed March 20, 2012).
Barliant, Claire. “Stationary Flow: Process and Politics in Audio Art On the Air and Online,” New Radio Performing Arts, Inc., http://somewhere.org/NAR/writings/barliant.htm (accessed March 20, 2013).
Baruss, Imants. "Failure to Replicate Electronic Voice Phenomenon." Journal of Scientific Exploration 15, no. 3 (2001): 355 – 67.
BBC Radio 3. "Between the Ears." British Broadcasting Corporation, http://www.bbc.co.uk/programmes/b006x2tq (accessed April 10, 2012).
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